The main guitars used on the album were a couple of Taylor steel strings.
A.J has a R. Taylor Style 1 (2007) with redwood top, indian
rosewood back and sides and a venetian cutaway. The Style One is the same size as the Taylor Grand Symphony, but with several
significant structural differences. It has a 16 inch lower bought and is built with a modified X brace, 65’ radius to the top and a 25 1/2” scale length. It is fitted with the standard Taylor Expression
System pickup which was fitted after purchase.
The headstock is fitted with a Taylor bone nut, brushed gold Gotoh 510 tuners and black ebony look buttons which lower weight. There is a wave compensated bone saddle, plus ebony pins with abalone dots at the bridge.
Unlike standard Taylor’s the R.Taylor has solid kerfing which results in extremely rigid sides
allowing the top to be made thinner and braced lighter. Done by hand the result is more volume and better tone.
R.Taylor was a completely separate company from Taylor guitars. Their guitars took about three times as long to make due to extensive individual voicing and handwork.
Unfortunately they turned out to be in competition with Taylor’s Build To Order and
custom guitar programs and they ceased production at the end of 2011. R.Taylor only made about 200 guitars a year for six years. This is in contrast to the two Taylor factories which turn out about 400 guitars per day.
Nick used his 2005 Taylor 324ce L10 (2005), which is a fall limited edition model in Grand Auditorium body shape with solid Koa front, back and sides with mahogany neck. Nick swapped the original sealed Gotoh tuners for Waverly’s which are much lighter and
improve the balance of the guitar, as the body is very light. They also look amazing.
Over the last decade the guitar has matured beautifully and both Nick and A.J agree that this is one of the finest Taylor’s either has ever played. With a clear and defined tone across the entire scale length it is especially impressive within a band environment.
It is also fitted with Taylor’s Expression System pickup, however Nick likes to keep the batteries out unless at a plugged in gig, as he finds the the extra weight negatively effects the tone of such a lightweight guitar.
Right at the end of the recording period Nick’s dad very generously gave him a Collings 0002H (2012). This is a truly sublime hand made instrument that has all the tone Collings guitars are now revered for. In essence it is almost like playing an old classical guitar and the connection you feel with the music when playing this
instrument is extreme. Significant temptation was overcame to re-record the instrumental tracks with it.
Like the standard classical it is 12 frets to the body giving it amazing depth and sustain. This is complimented by a beautiful rosewood back and sides and sitka spruce top.
In the end it only made it onto ‘Right By Me’ due to it’s late arrival on the scene but it will surely be heard on all future recordings. The guitar was recently purchased by A.J.
For ‘White Wedding Blue’ the duo switched to nylon stringed guitars.
A.J used a custom made Peter Barton classical. Peter built the guitar back in 2000 while A.J was still studying at Leeds College of Music. The guitar has an exceptional tone with Brazilian Rosewood back and sides, a beautiful Alpine spruce top. Peter has developed a
lightweight but strong fan strutting which gives the guitar a bright treble with a warm bass and a great depth of colour and even tone.
He creates his own rosettes and purflings using ebony, maple,
satinwood and mahogany veneers. A traditional V jointed head is created for the preferred lower angle it gives to the head. This
requires a high level of craftsmanship to perfect.
The head stock is fitted with David Rodgers machine heads.
Nick recorded ‘White Wedding Blue’ with his flamenco Raimundo 610e. This is a hand made Spanish electro cutaway with cedar neck, ebony fingerboard, mahogany back and sides and spruce top.
Since the recording sessions, Nick has bought a Collings 0002EC (2000) which is the same as the 0002H except it has a cutaway and German spruce top. He finds the Collings’ to have an incredibly full tone particularly on the higher strings, amazing balance and
staggering body resonance which suits his playing style perfectly.